Articles

Articles in peer-reviewed journals

Boczkowska. Kornelia. “American pet cemeteries in history and fiction: Remembering animals through film.” Rethinking History: The Journal of Theory and Practice, published online.

DOI: 10.1080/13642529.2025.2511374

Boczkowska, Kornelia. 2024. “Transients, punks and hobos: rethinking the history of train hopping through experimental film.” Rethinking History: The Journal of Theory and Practice 28(1): 28-49.

DOI: 10.1080/13642529.2023.2269822

Boczkowska, Kornelia. 2024. “Horses, gender, and (queer) masculine desire, or how experimental found footage film recycles three Hollywood films.” Adaptation 17(2): 265–283.

DOI: 10.1093/adaptation/apae012

Boczkowska, Kornelia. 2024. “Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film and video.” Text and Performance Quarterly 44(4): 331-353.

DOI: 10.1080/10462937.2024.2320643

Boczkowska, Kornelia. 2024. “Cityscapes, trance states and women walking: Embodied practices of walking in experimental film and video.” New Review of Film and Television Studies 22(1): 109-134.

DOI: 10.1080/17400309.2023.2261349

Boczkowska, Kornelia. 2023. “Inside cars: changing automobilities and backseat passengering in experimental film and 360 video.” Mobilities 18 (2), 218-231.

DOI: 10.1080/17450101.2022.2090021

Boczkowska, Kornelia. 2021. “From car frenzy to car troubles: automobilities, highway driving and the road movie in experimental film.” Mobilities 16(4), 524-536.

DOI: 10.1080/17450101.2021.1895673

Boczkowska, Kornelia. 2023. “From naked bike rides to spectacles of motion: cycling and the rider-bicycle in experimental documentary film.” Studies in Documentary Film 18 (3):  209-225.

DOI: 10.1080/17503280.2022.2140369

Boczkowska, Kornelia. 2021. “From master narratives to DIY stories: on the post-digital sublime and database documentary in two city symphony films.” Studies in Documentary Film 15(1), 59-74.

DOI: 10.1080/17503280.2019.1696147

Boczkowska, Kornelia. 2021. “Do gender, genre and the gaze still matter? Toward a feminine road movie in women’s experimental film.” Feminist Media Studies 23 (5): 1962-1977.

DOI: 10.1080/14680777.2021.2004194

Boczkowska, Kornelia. 2021. “Easy Rider and Thelma & Louise Revisited, or on Experimental Film Remakes of the Road Movie.” Journal of Adaptation in Film & Performance 14(2), 145-161.

DOI: 10.1386/jafp_00050_1

Boczkowska, Kornelia. 2021. “Introduction: Landscape, Travel and the Gaze in Experimental Film and Video.” Papers on Language and Literature 57(1), 3-12.

ISSN: 0031-1294

Boczkowska, Kornelia. 2021. “Slow Ecocinema, the Forest and the Eerie in Experimental Film and VR (360-degree) Nature Videos.” Papers on Language and Literature 57(1), 27-49.

ISSN: 0031-1294

Boczkowska, Kornelia. 2021. “The crime scene that never is, or how Echo plays with the forensic gaze.” Short Film Studies 11(1), 107-112.

DOI: 10.1386/sfs_00041_1

Boczkowska, Kornelia. 2020. “Boredom revisited, or how Andy Warhol predated slow cinema.” Short Film Studies 10(2), 157-162.

DOI: 10.1386/sfs_00008_1

Boczkowska, Kornelia. 2020. “Performing CPR on celluloid in Blow-Up.” Short Film Studies 10(1), 111-115.

DOI: 10.1386/sfs.10.1.111_1

Boczkowska, Kornelia. 2020. “Dwellers That Do Not Belong, Dwellings That No Longer Exist: Staging Hotel Interiors and (Unhomely) Domesticity in Experimental Documentary Film.” Home Cultures: The Journal of Architecture, Design and Domestic Space 17(1), 1-20.

DOI: 10.1080/17406315.2020.1757382

Boczkowska, Kornelia. 2019. “The Outlaw Machine, the Monstrous Outsider and Motorcycle Fetishists: Challenging Rebellion, Mobility and Masculinity in Kenneth Anger’s Scorpio Rising and Steven Spielberg’s Duel.” Text Matters: A Journal of Literature, Theory and Culture 9, 81-99.

DOI: 10.18778/2083-2931.09.05

Boczkowska, Kornelia. 2018. “Relics of the Unseen Presence? Evocations of Native American Indian Heritage and Western-Hero Road Poems in Bruce Baillie’s Mass for the Dakota Sioux and Quixote.” Studia Anglica Posnaniensia 53(2), 311-326.

DOI: 10.2478/stap-2018-0015

Boczkowska, Kornelia. 2018. “‘Bringing the Unseen Out of the Shadows’: In Pursuit of Ciné-Transe and Film-Performance in Ben Russell’s the quarry (2002) and TRYPPS #7 (BADLANDS) (2010).” AM Journal of Art and Media Studies 15, 113-126.

DOI: 10.25038/am.v0i15.235

Boczkowska, Kornelia. 2017. “The Homely Sublime in Space Science Documentary Films: Domesticating the Feeling of Homelessness in Carl Sagan’s Cosmos and its Sequel.” Kultura Popularna [Popular Culture] 4(54), 24-35.

DOI: 10.5604/01.3001.0011.6717

Boczkowska, Kornelia. 2017. “Suspended Moments of the Mundane Routine: Testing the Possibilities of Slow Cinema in Sharon Lockhart’s Lunch Break (2008) and Podwórka (2009).” Ad Americam. Journal of American Studies 18, 17-33.

DOI: 10.12797/AdAmericam.18.2017.18.02

Boczkowska, Kornelia. 2017. “Seeing with a Filmmaker’s Eyes: Glimpses of Mobilized Landscapes in Stan Brakhage’s The Wonder Ring (1955) and Visions in Meditation #2: Mesa Verde (1989).” Roczniki Humanistyczne [Annals of Arts and Humanities] 65: 11, 75-89.

DOI: 10.18290/rh

Boczkowska, Kornelia. 2017. “Where Words and Images Speak for Themselves: Landscape (Re)presentation and Word-Image Dichotomy in James Benning’s Deseret (1995).” Image [&] Narrative 18(2), 114-128.

ISSN: 1780-678X

Boczkowska, Kornelia. 2016. “The City That Speaks with Silence: Generic Conventions in the Representation of Urban Landscape in Peter Hutton’s Lodz Symphony (1993).” Polish-AngloSaxon Studies 19, 41-68.

ISSN: 0806-5882

Boczkowska, Kornelia. 2015. “Between the Space Age and the New Age: The Adamski Phenomenon and Its Impact on American Astroculture.” Polish-AngloSaxon Studies 18, 53-78.

ISSN: 0806-5882

Boczkowska, Kornelia. 2016. “Speeding Slowness: Neo-Modern Contemplative and Sublime Cinema Aesthetics in Godfrey Reggio’s Qatsi Trilogy.” Art Inquiry 18, 219-253.

EID: 2-s2.0-85016211503

Boczkowska, Kornelia. 2013. “American and Russian Voices from Outer Space: Constructing the Unknown in Popular Space Art.” The International Journal of the Image 3(2): 33-41.

DOI: https://doi.org/10.18848/2154-8560/CGP/v03i02/44080


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